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Left-wing radicals crash land in Oslo, fighting capitalists, social democrats, cable TV and rising right-wing sentiments in 1985.

Тобиас Каарфальд / Tobias Kaarfald (р. 2012)




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   Дополнительная информация

Дипломная работа студентки Всесоюзного государственного института кинематографии (ВГИК) Луции Лочмеле по классу режиссуры. Фильм снят в Венспилсе. В главной роли - ученик 6 класса Венспилсской 5-й средней школы Марекс Падревич.

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A modest theatrical company, soon to debut, organizes a superstitious spiritual session. During the evening the spirit of little Thomas is evoked.

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An adolescent Pankaj is discovering his sexuality. Torn between a patriarchal Indian upbringing full of gender-stereotypes and his natural urge to identify with the opposite gender, he finds an opportunity to express his desires within the bounds of cultural ethos.

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In einem thüringischen Dorf geht im Jahr 1949 der Aberglaube um. Immer wieder verschwinden Schweine, und auch sonst erscheint hier so manches rätselhaft. Da kann doch nur Hexerei im Spiel sein! Der Polizist Werner Kühlemann soll deshalb nach dem Rechten sehen, zumal er nicht an Hexenwerk glaubt. So hat neben anderen der Bürgermeister seine Finger in diesem Gaunerspiel. Und eine heimlich versteckte, zur Beruhigung unter Alkohol gesetzte Sau wegzuschaffen, erweist sich als gar nicht so einfach. Das und anderes mehr sorgt für allerlei Turbulenzen ...

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In a retro-futuristic city where shapeshifter birds are persecuted and feared, Miriam, a struggling single mother, secretly brings her troubled son, Daniel, to work at the towering Bank of Avalon. When Daniel suddenly exhibits alarming signs of transformation, she’s forced to protect him before others discover his true nature.

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A reclusive fisherman hiding on the coast of Sant Catarina, Brazil is unexpectedly visited by his estranged son.

(imdb.com)

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Little Billy's life is tormented by his scheming aunt who drags him daily to the cemetery and forces him to clean his uncle's headstone. In the forbidden zone Billy meets Myrtle, a little girl ghost stuck between the world of the living and the dead. Freeing Myrtle means losing the only friend Billy has ever had.

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Der elfjährige Benni muss sich immer alles von seinem älteren Bruder Pascal gefallen lassen. Doch als Pascal in der Sylvesternacht einen Moment der Schwäche hat, wittert Benni seine Chance es ihm endlich heimzuzahlen — eine Entscheidung, die fatale Konsequenzen haben wird…

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In un mondo distrutto dalla guerra e dall'inquinamento, Drony, un drone volante disertore, aiuta Nick ( 11 ) a ritrovare sua madre aldilà di un insormontabile muro.

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   От себя

Сабж - сын главной героини, его тайминг средний.

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Brothers Tobias and Philipp grow up in a village in East Saxony. While the heat here is almost unbearable in the summer, the frost makes the streets creak in the winter. Their parents build a house, which could be a turning point in the lives of the siblings. If it weren't for the fact that the industrial legacy of the GDR can still be found in their province. For Philipp and Tobias, the lack of prospects grows greater by the day. There are nationalist marches in Dresden and refugees have to be brought to their city. While one brother withdraws, the other seeks an outlet for his anger.

(moviemeter.com)

***

Die Brüder Philipp (12) und Tobias (9) wachsen Anfang der 2000er in der ostdeutschen Provinz auf. Die Familie baut ein Haus. Der hagere Uwe, der auf der Baustelle hilft, ist plötzlich tot. Sein Absturz scheint das Schicksal einer ganzen Region widerzuspiegeln: zu viel Alkohol, keine Arbeit und eine DDR-Vergangenheit, von der man sich nicht befreien kann. Mit dem Einzug in das noch unfertige Haus beginnt der Zerfall der Familie. Der Vater wird arbeitslos, die Mutter versucht, die Dinge am Laufen zu halten. Mittendrin Tobi und Philipp, alleingelassen mit sich selbst. Im Gegensatz zur häuslichen und familiären Enge scheint die Landschaft grenzenlos. Endlose Wälder, gelbe Rapsfelder und das türkisblaue Wasser der Steinbrüche, in das man springen kann, um der Langeweile für einen Moment zu entkommen. In einem Leben, in dem es ansonsten wenig Lichtblicke und Vorbilder gibt, wird die Natur zum Rückzugsort. Am Ende bleiben nur noch die älteren Jungs, die Abenteuer versprechen, aber Gewalt und Fremdenhass meinen. Ihnen schließt sich Philipp an. Zum ersten Mal spürt er Sinn und Zugehörigkeit, auch wenn dafür Grenzen überschritten werden. Als in der Nähe ein Flüchtlingsheim entstehen soll, eskaliert die Situation.

(berlinale.de)

   Трейлер

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   Ещё скриншоты

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A young guardian realises he cannot fill the psychological gaps of Raphael, a teenager scarred by a wounded adolescence. Caring gives way to frustration and turns, during their last evening together, into an act of psychological violence in which the teenager is forced to reclaim a freedom that will not be such, and to face the consequences of maturity.

* * *

Dopo un periodo di due mesi in affidamento, Alex, un giovane tutore alle prese con i propri problemi, si rende conto che non può dare a Raphael, un adolescente riluttante a tornare alla sua vita precedente, ciò di cui ha veramente bisogno. Racconto che esplora il passaggio dall'infanzia all'età adulta, una maturità spesso ottenuta con la forza e con la dolorosa consapevolezza che anche da adulti ci troviamo ancora impotenti e bisognosi di guida.

   От режиссёра

Quando un giovane uomo è costretto a restituire l’adolescente accolto in affido, emerge in lui una rabbia che lo porta a confrontarsi con la propria natura.

Questo cortometraggio esplora il tema del rifiuto e la difficile transizione dall'infanzia all'età adulta. Ispirato da eventi reali, mostra come ogni adulto ferito porti dentro di sé un bambino ancora segnato dal dolore e dai rifiuti del passato. Spesso, senza rendersene conto, l’adulto finisce per approfondire queste vecchie ferite, mantenendo vive le cicatrici. Anche se non possiamo cambiare ciò che è accaduto nel passato, possiamo cambiare il modo in cui guardiamo a quegli eventi nel presente. Attraverso il linguaggio visivo, ho rappresentato la difficoltà di lasciar andare il mio bambino interiore, mostrando come il dolore e gli schemi vissuti in tenera età continuino spesso a seguirci nell’età adulta, generando cicli difficili da spezzare.

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In this bar, anyone can call a deceased loved one, agreeing to a deadly game of Russian roulette. Investigator Andrey Morozov is looking for his missing son. All clues lead to a mysterious bar that appears in various places, leaving behind the bodies of dead patrons.

Кай Гетц (р. 28.08.2007)




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кузнечик212: НОВОСТЬ ОБНОВЛЯЕТСЯ

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Sarah et Antoine sont au bord de la rupture, fragilisés par un quotidien surchargé, entre le travail et leurs deux enfants. Un jour, Simon, l’aîné, confie à sa mère entendre des voix. Si Antoine peine à prendre la mesure du problème, Sarah décide de soutenir son fils. Jusqu’où sera-t-elle prête à aller par amour ?

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P. sembra essere un bambino come tutti gli altri. Ma un giorno tornando da scuola trova dei Post-it appiccicati per casa. E’ un avvenimento eccezionale, oppure fa parte della sua quotidianità trovare messaggi sparsi per la casa? E poi chi glieli scrive? Post-it è un viaggio dentro il piccolo mondo di un bambino. Un mondo fatto di pesci colorati che guizzano dentro piscine comunali, di piccole frasi, di continue rincorse verso qualcosa che sfugge e di tanta solitudine…

* * *

P. seems to be a child just like any other. But one day, coming back from school, he finds post-it stickers stuck around the house. Is it an exception, or is it part of its everyday life to find messages scattered around the house? Who writes them? Post it is a journey into the small world of a child. A world made of colorful fish that dart into communal pools, of continuous chases towards something that escapes and of loneliness.

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Уэллс Раппапорт / Wells Rappaport




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Out of the blue, Gaby’s life is turned upside down when an arrogant hot-air balloon pilot crash-lands on top of her coop full of heritage chickens, and sets up home next door to her. The collision exposes a festering family conflict and forces Gaby to confront the haughty balloonist as well as her own problematic past. Previously, Gaby’s life had consisted of caring for her energetic seven-year-old son, her ailing mother, and a suicidal rooster, while struggling to keep her cleaning job at a local hotel. Over the summer, Gaby slowly opens up to her new neighbor, thanks to the growing bond between him and her son. But when the balloonist gets too close to her, she clams up again, much to her son’s chagrin. Will she be able to make amends and give herself and her young son a better future?

***

Het leven van de 37-jarige Gaby beweegt zich voort tussen haar sierkippen, de verzorging van haar zevenjarige zoon Kuif en haar hulpbehoevende moeder Mientje; en dan is er Bouillon, de sierhaan met een onverklaarbare wens om te sterven. Er is weinig ruimte voor onverwachte wendingen, tot de dag dat er een luchtballon in haar kippenhok neerstort. Langzaam raken Gaby en de ballonvaarder, Arnaud, meer en meer comfortabel met elkaars aanwezigheid. Er begint zich iets te vormen dat op vriendschap lijkt, misschien zelfs wel meer. Maar wanneer Arnaud haar confronteert met de leugens die ze Kuif vertelt, begint de relatie tussen de twee te wankelen.

   Трейлер

   От себя

Cабжтайм (по секундомеру) ~19%.

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Old Dixieland è il film del paesaggio di un’infanzia. Il miraggio estivo di una felicità che continua a ritornare, disperdendosi senza origine né punto. La pianura risuona come una filastrocca: un imbuto di visioni il cui unico codice è la stessa disseminazione che agisce dentro il codice, la medesima diffrazione del paesaggio nell’occhio.
Una panoramica che smonta i codici, spezza gli assiomi. Il significante ritorna su se stesso per abolirsi; senza produzione, senza traccia né ombra. Se nel ricordo sopravvive l’oblìo – un supplemento residuale; un fantasma, un feticcio -, qui al contrario, nell’immagine, il significante si diffrange in una dispersione paragrammatica, para-fonovisiva.
Niente viene taciuto: tutto è consumato fino alla fine. Tutto è ‘visto’.
L’acqua, la terra, le erbe, gli animali sono metafora della continua dissoluzione del valore, dello scambio simbolico del mondo; non sostanze ma antisostanze, antimaterie.
Cadere nel paesaggio di una memoria è cadere eternamente, evitando la singolarità e perdersi in un tempo ‘immaginario’. Un accumulo di tempo infinito per chi guarda.
Dovrebbe allora essere questo il vero mito eracliteo, lucreziano e nietzscheano del ‘divenire’?
La medesima fluttuazione di fase colpisce i segni memoriali, quando perdono il loro statuto referenziale; e ciò si riflette ancora sulle categorie dell’economia cinematografica.
In Old Dixieland, l’immagine ritorna su se stessa nella nube atmosferica del montaggio, trapuntata di spifferi musivi e carambole d’ilinx, a masticare tra le labbra un filo delle leaves of grass; pace fatta con Whitman-Zanzotto, ma solo in qualità di sonnambulismo.
… nel fantasma del presente, via dalla sciarada della storia, dall’inganno della memoria e soprattutto della nostalgia – in primis della nostalgia – l’unico segreto è inoltrarsi…

* * *

Old Dixieland is a childhood landscape’s film. The summer mirage of a happiness returning, dispersing without origin or point.
The lowland resonates like a nursery rhyme: a funnel of visions whose only code is the same dissemination that acts inside the code, the same diffraction of the landscape in the eye.
A panoramic view dismantling the codes, breaking the axioms. The signifier returns to itself to abolish itself; without production, without trace or shadow. If oblivion survives in memory – a residual supplement; a ghost, a fetish -, here on the contrary, in the image, the signifier diffracts in a paragrammatic, para-phonovisual dispersion.
Nothing is silenced: everything is consumed to the end. Everything is ‘seen’.
Water, earth, herbs, animals are a metaphor for the continuous dissolution of value, of the symbolic exchange of the world; not substances but anti-substances, anti-matters.
Falling into the landscape of a memory is falling eternally, avoiding singularity and getting lost in an ‘imaginary’ time.
An accumulation of infinite time for the viewer. Should this then be the true Heraclitean, Lucretian and Nietzschean myth of ‘becoming’?
The same phase fluctuation affects memorial signs, when they lose their referential status; and this is reflected again in the categories of cinematographic economy.
In Old Dixieland, the image returns to itself in the atmospheric cloud of the montage, quilted with mosaic drafts and carambola of ilinx, chewing between the lips a thread of leaves of grass; peace made with Whitman-Zanzotto, but only as sleepwalking.
… in the ghost of the present, away from the charade of history, from the deception of memory and above all of nostalgia – first and foremost nostalgia – the only secret is to enter…

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   От режиссёра

Этот короткометражный фильм-флешбэк, воспоминания старого человека об эпизоде из детства, который наложил отпечаток на всю его жизнь. В ленте есть художественная часть, но она не меняет сути дела. Чего хотел отец, вкладывая в руки ребенка оружие? Кого он хотел воспитать? Спустя годы герой пытается найти объяснение случившемуся.

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Luisito, un niño de 8 años, experimenta el duelo que le ha sido negado cuando su madre decide deshacerse de la ropa de su difunto padre.

* * *

Luisito, an 8-year-old boy, experiences the grief that has been denied to him when his mother decides to get rid of his late father's clothes.

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Desetiletý Saša utekl z domova, když na něj padlo podezření, že se svými kamarády zapálil stodolu. Na útěku je i Ruda, který napadl vychovatele ve výchovném ústavu. Poprvé na sebe narazí v zahradním domku Sašova dědy a zřejmě by šel zase hned každý po svém, kdyby nevyšlo najevo, že požár má na svědomí Ruda. Saša se rozhodne, že ho přinutí se přiznat, aby on a jeho kamarádi nebyli nespravedlivě potrestáni. Jenže Ruda nemá v úmyslu jít s pravdou ven. Chce pryč. Pryč z téhle země, daleko od svého dosavadního života po dětských domovech a ústavech. A aby mu Saša tenhle plán nezhatil, vezme si ho tak trochu jako „rukojmího“… Společná cesta dvou kluků, kteří to v životě nemají jednoduché, trvá sice jen dva dny, oba ale jednou provždy změní.

* * *

Ten-year-old Sasha ran away from home when he was suspected of setting a barn on fire with his friends. Seventeen-year-old Ruda escaped from a children's home because he attacked a nurse. They have met in the Sasha grandfather's garden house, and their paths would soon be divided if Sasha did not find out that it was Ruda who set the barn on fire and if he did not decide to force Ruda to confess to the police, so that he and his friends would not be punished. However, Ruda has not the slightest interest in confessing. He wants to go. Away from this country, far from his life in children's homes. And in order for Sasha not to thwart this plan, he will take him a bit like a "hostage"…

   Подробное описание

Десятилетний Саша сбежал из дома, когда его заподозрили в поджоге сарая вместе с друзьями. Руда, напавший на воспитательницу в исправительном учреждении, тоже находится в бегах. Впервые они столкнулись в садовом домике дедушки Саши и, вероятно, разошлись бы, если бы не выяснилось, что Руда был виновником пожара. Саша решает заставить его признаться, чтобы избежать несправедливого наказания для себя и своих друзей. Но Руда не намерен говорить правду. Он хочет сбежать. Подальше от этой страны, подальше от прежней жизни в детских домах и интернатах. И чтобы Саша не расстроил этот план, он берёт его в «заложники»... Совместное путешествие двух мальчиков, которым нелегко живётся, длится всего два дня, но оно меняет их обоих раз и навсегда.

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Скриншоты (WEB-Rip 2.41 GB) (4-я закладка)

   Альтернативные постеры

Феодор Кирсанов




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With life on Earth ending in a matter of minutes, Myles believes he has found a way to save his family.

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Бруно Нуньес / Bruno Núñez Arjona




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Jaleshwari, ambitious and full of confidence. Volunteers to take on the responsibility to improve the performance of a corporate social responsibility (CSR) program concerning education that is stopped without explanation. She flies into a border area in the interior of Borneo and promises that within two weeks the problems will be solved.

   Альтернативные постеры

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Tom is a tennis coach at a luxurious island hotel; filling the time between lessons and one-night stands. That is until the arrival of a mysterious family, who pulls Tom out of his normal routine. As he strikes up a relationship with Anne, her husband Dave, and their son Anton, Tom is unable to shake the feeling that he has met Anne before. However, tension grows between them until one night Dave goes missing, and the police suspect Tom and Anne.

***

Tom (S. Riley) ist ein ehemaliger Tennisprofi, der nun als Trainer in einem All-Inclusive-Hotel auf Fuerteventura arbeitet. Der endlose Sommer wirkt zwar wie ein wahrgewordener Traum, doch für Tom ist schon längst die langweilige, monotone Routine eingekehrt. Woche für Woche spielt er mit Touristen unzählige Bälle übers Netz und versucht seine innere Leere mit Alkohol und flüchtigen Affären zu füllen. Eines Tages checkt jedoch die geheimnisvolle Anne (S. Martin) gemeinsam mit ihrem Ehemann Dave (J. Farthing) und ihrem siebenjährigen Sohn Anton (D. Torrell) im Resort ein. Schon auf den ersten Blick erkennt Tom, dass die Familie nicht wie die üblichen Pauschaltouristen aussieht. Tom kommt der Familie näher, gibt Anton Tennisstunden und lädt sie ein, mit ihm die Insel zu erkunden. Doch am nächsten Tag ist Dave spurlos verschwunden. Als auch Anne ein mysteriöses Verhalten an den Tag legt, keimt in Tom ein Verdacht auf…

   Альтернативный постер

   От себя

Сабж появляется на 20-й минуте. Cабжтайм (по секундомеру) ~16%.

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The story of a group of kids at their first year at the McGaffin International Middle School, a school with a phantasmagoric WC. It is a broken toilet in which the Wall Of Celebrities is kept. It's a non-functioning bathroom stall in which there is the Wall Of Celebrities, not just a tiled wall, but a gallery of the school's 12 alumni who, over the years, have accomplished legendary feats. Students still compete to be celebrated on the wall. Their legendary challenges are voted by other students through an App, the Wall Of Celebrities App. Only those who reach 1 million points can get on the wall of celebrities.

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The story of a group of kids at their first year at the McGaffin International Middle School, a school with a phantasmagoric WC. It is a broken toilet in which the Wall Of Celebrities is kept. It's a non-functioning bathroom stall in which there is the Wall Of Celebrities, not just a tiled wall, but a gallery of the school's 12 alumni who, over the years, have accomplished legendary feats. Students still compete to be celebrated on the wall. Their legendary challenges are voted by other students through an App, the Wall Of Celebrities App. Only those who reach 1 million points can get on the wall of celebrities.

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Im Heizungskeller eines Sportleistungszentrums wird die Leiche des elfjährigen Malte Rahmani gefunden – verdurstet in einem verschlossenen Kessel. Schnell gerät der vorbestrafte Hausmeister Sven Brunner ins Visier der Ermittler Janneke und Brix, da er eine auffällig enge Beziehung zu dem Jungen pflegte. Doch die Spur führt auch zum ehrgeizigen Sportfunktionär Joachim Voss und dessen Familie, wo ein erschreckendes System aus Leistungsdruck und Gewalt herrscht. Als die Kommissare schließlich dem manipulierten Stiefsohn Felix auf die Spur kommen, geraten sie in ein tödliches Netz aus Lügen, Eifersucht und Sadismus…

(tatort-fans.de)

   От себя

Юрий Винклер в роли злодея, Маргарита Бройх и Вольфрам Кох в ролях детективов расследующих убийство маленького мальчика в "Месте преступления: среди воинов", сталкиваются с Голо Эйлером в роли отца-тирана.
Это 1054 эпизод сериала, каждую серию можно смотреть как отдельный фильм.

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