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Sarah et Antoine sont au bord de la rupture, fragilisés par un quotidien surchargé, entre le travail et leurs deux enfants. Un jour, Simon, l’aîné, confie à sa mère entendre des voix. Si Antoine peine à prendre la mesure du problème, Sarah décide de soutenir son fils. Jusqu’où sera-t-elle prête à aller par amour ?

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   Альтернативный постер

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P. sembra essere un bambino come tutti gli altri. Ma un giorno tornando da scuola trova dei Post-it appiccicati per casa. E’ un avvenimento eccezionale, oppure fa parte della sua quotidianità trovare messaggi sparsi per la casa? E poi chi glieli scrive? Post-it è un viaggio dentro il piccolo mondo di un bambino. Un mondo fatto di pesci colorati che guizzano dentro piscine comunali, di piccole frasi, di continue rincorse verso qualcosa che sfugge e di tanta solitudine…

* * *

P. seems to be a child just like any other. But one day, coming back from school, he finds post-it stickers stuck around the house. Is it an exception, or is it part of its everyday life to find messages scattered around the house? Who writes them? Post it is a journey into the small world of a child. A world made of colorful fish that dart into communal pools, of continuous chases towards something that escapes and of loneliness.

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   Альтернативные постеры

Уэллс Раппапорт / Wells Rappaport




Скриншоты (WEB-DL 2.79 GB)

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Out of the blue, Gaby’s life is turned upside down when an arrogant hot-air balloon pilot crash-lands on top of her coop full of heritage chickens, and sets up home next door to her. The collision exposes a festering family conflict and forces Gaby to confront the haughty balloonist as well as her own problematic past. Previously, Gaby’s life had consisted of caring for her energetic seven-year-old son, her ailing mother, and a suicidal rooster, while struggling to keep her cleaning job at a local hotel. Over the summer, Gaby slowly opens up to her new neighbor, thanks to the growing bond between him and her son. But when the balloonist gets too close to her, she clams up again, much to her son’s chagrin. Will she be able to make amends and give herself and her young son a better future?

***

Het leven van de 37-jarige Gaby beweegt zich voort tussen haar sierkippen, de verzorging van haar zevenjarige zoon Kuif en haar hulpbehoevende moeder Mientje; en dan is er Bouillon, de sierhaan met een onverklaarbare wens om te sterven. Er is weinig ruimte voor onverwachte wendingen, tot de dag dat er een luchtballon in haar kippenhok neerstort. Langzaam raken Gaby en de ballonvaarder, Arnaud, meer en meer comfortabel met elkaars aanwezigheid. Er begint zich iets te vormen dat op vriendschap lijkt, misschien zelfs wel meer. Maar wanneer Arnaud haar confronteert met de leugens die ze Kuif vertelt, begint de relatie tussen de twee te wankelen.

   Трейлер

   От себя

Cабжтайм (по секундомеру) ~19%.

Скриншоты (WEB-DL 4.22 GB)

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Old Dixieland è il film del paesaggio di un’infanzia. Il miraggio estivo di una felicità che continua a ritornare, disperdendosi senza origine né punto. La pianura risuona come una filastrocca: un imbuto di visioni il cui unico codice è la stessa disseminazione che agisce dentro il codice, la medesima diffrazione del paesaggio nell’occhio.
Una panoramica che smonta i codici, spezza gli assiomi. Il significante ritorna su se stesso per abolirsi; senza produzione, senza traccia né ombra. Se nel ricordo sopravvive l’oblìo – un supplemento residuale; un fantasma, un feticcio -, qui al contrario, nell’immagine, il significante si diffrange in una dispersione paragrammatica, para-fonovisiva.
Niente viene taciuto: tutto è consumato fino alla fine. Tutto è ‘visto’.
L’acqua, la terra, le erbe, gli animali sono metafora della continua dissoluzione del valore, dello scambio simbolico del mondo; non sostanze ma antisostanze, antimaterie.
Cadere nel paesaggio di una memoria è cadere eternamente, evitando la singolarità e perdersi in un tempo ‘immaginario’. Un accumulo di tempo infinito per chi guarda.
Dovrebbe allora essere questo il vero mito eracliteo, lucreziano e nietzscheano del ‘divenire’?
La medesima fluttuazione di fase colpisce i segni memoriali, quando perdono il loro statuto referenziale; e ciò si riflette ancora sulle categorie dell’economia cinematografica.
In Old Dixieland, l’immagine ritorna su se stessa nella nube atmosferica del montaggio, trapuntata di spifferi musivi e carambole d’ilinx, a masticare tra le labbra un filo delle leaves of grass; pace fatta con Whitman-Zanzotto, ma solo in qualità di sonnambulismo.
… nel fantasma del presente, via dalla sciarada della storia, dall’inganno della memoria e soprattutto della nostalgia – in primis della nostalgia – l’unico segreto è inoltrarsi…

* * *

Old Dixieland is a childhood landscape’s film. The summer mirage of a happiness returning, dispersing without origin or point.
The lowland resonates like a nursery rhyme: a funnel of visions whose only code is the same dissemination that acts inside the code, the same diffraction of the landscape in the eye.
A panoramic view dismantling the codes, breaking the axioms. The signifier returns to itself to abolish itself; without production, without trace or shadow. If oblivion survives in memory – a residual supplement; a ghost, a fetish -, here on the contrary, in the image, the signifier diffracts in a paragrammatic, para-phonovisual dispersion.
Nothing is silenced: everything is consumed to the end. Everything is ‘seen’.
Water, earth, herbs, animals are a metaphor for the continuous dissolution of value, of the symbolic exchange of the world; not substances but anti-substances, anti-matters.
Falling into the landscape of a memory is falling eternally, avoiding singularity and getting lost in an ‘imaginary’ time.
An accumulation of infinite time for the viewer. Should this then be the true Heraclitean, Lucretian and Nietzschean myth of ‘becoming’?
The same phase fluctuation affects memorial signs, when they lose their referential status; and this is reflected again in the categories of cinematographic economy.
In Old Dixieland, the image returns to itself in the atmospheric cloud of the montage, quilted with mosaic drafts and carambola of ilinx, chewing between the lips a thread of leaves of grass; peace made with Whitman-Zanzotto, but only as sleepwalking.
… in the ghost of the present, away from the charade of history, from the deception of memory and above all of nostalgia – first and foremost nostalgia – the only secret is to enter…

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   От режиссёра

Этот короткометражный фильм-флешбэк, воспоминания старого человека об эпизоде из детства, который наложил отпечаток на всю его жизнь. В ленте есть художественная часть, но она не меняет сути дела. Чего хотел отец, вкладывая в руки ребенка оружие? Кого он хотел воспитать? Спустя годы герой пытается найти объяснение случившемуся.

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Luisito, un niño de 8 años, experimenta el duelo que le ha sido negado cuando su madre decide deshacerse de la ropa de su difunto padre.

* * *

Luisito, an 8-year-old boy, experiences the grief that has been denied to him when his mother decides to get rid of his late father's clothes.

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Desetiletý Saša utekl z domova, když na něj padlo podezření, že se svými kamarády zapálil stodolu. Na útěku je i Ruda, který napadl vychovatele ve výchovném ústavu. Poprvé na sebe narazí v zahradním domku Sašova dědy a zřejmě by šel zase hned každý po svém, kdyby nevyšlo najevo, že požár má na svědomí Ruda. Saša se rozhodne, že ho přinutí se přiznat, aby on a jeho kamarádi nebyli nespravedlivě potrestáni. Jenže Ruda nemá v úmyslu jít s pravdou ven. Chce pryč. Pryč z téhle země, daleko od svého dosavadního života po dětských domovech a ústavech. A aby mu Saša tenhle plán nezhatil, vezme si ho tak trochu jako „rukojmího“… Společná cesta dvou kluků, kteří to v životě nemají jednoduché, trvá sice jen dva dny, oba ale jednou provždy změní.

* * *

Ten-year-old Sasha ran away from home when he was suspected of setting a barn on fire with his friends. Seventeen-year-old Ruda escaped from a children's home because he attacked a nurse. They have met in the Sasha grandfather's garden house, and their paths would soon be divided if Sasha did not find out that it was Ruda who set the barn on fire and if he did not decide to force Ruda to confess to the police, so that he and his friends would not be punished. However, Ruda has not the slightest interest in confessing. He wants to go. Away from this country, far from his life in children's homes. And in order for Sasha not to thwart this plan, he will take him a bit like a "hostage"…

   Подробное описание

Десятилетний Саша сбежал из дома, когда его заподозрили в поджоге сарая вместе с друзьями. Руда, напавший на воспитательницу в исправительном учреждении, тоже находится в бегах. Впервые они столкнулись в садовом домике дедушки Саши и, вероятно, разошлись бы, если бы не выяснилось, что Руда был виновником пожара. Саша решает заставить его признаться, чтобы избежать несправедливого наказания для себя и своих друзей. Но Руда не намерен говорить правду. Он хочет сбежать. Подальше от этой страны, подальше от прежней жизни в детских домах и интернатах. И чтобы Саша не расстроил этот план, он берёт его в «заложники»... Совместное путешествие двух мальчиков, которым нелегко живётся, длится всего два дня, но оно меняет их обоих раз и навсегда.

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   Альтернативные постеры

Феодор Кирсанов




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With life on Earth ending in a matter of minutes, Myles believes he has found a way to save his family.

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Бруно Нуньес / Bruno Núñez Arjona




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Jaleshwari, ambitious and full of confidence. Volunteers to take on the responsibility to improve the performance of a corporate social responsibility (CSR) program concerning education that is stopped without explanation. She flies into a border area in the interior of Borneo and promises that within two weeks the problems will be solved.

   Альтернативные постеры

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Tom is a tennis coach at a luxurious island hotel; filling the time between lessons and one-night stands. That is until the arrival of a mysterious family, who pulls Tom out of his normal routine. As he strikes up a relationship with Anne, her husband Dave, and their son Anton, Tom is unable to shake the feeling that he has met Anne before. However, tension grows between them until one night Dave goes missing, and the police suspect Tom and Anne.

***

Tom (S. Riley) ist ein ehemaliger Tennisprofi, der nun als Trainer in einem All-Inclusive-Hotel auf Fuerteventura arbeitet. Der endlose Sommer wirkt zwar wie ein wahrgewordener Traum, doch für Tom ist schon längst die langweilige, monotone Routine eingekehrt. Woche für Woche spielt er mit Touristen unzählige Bälle übers Netz und versucht seine innere Leere mit Alkohol und flüchtigen Affären zu füllen. Eines Tages checkt jedoch die geheimnisvolle Anne (S. Martin) gemeinsam mit ihrem Ehemann Dave (J. Farthing) und ihrem siebenjährigen Sohn Anton (D. Torrell) im Resort ein. Schon auf den ersten Blick erkennt Tom, dass die Familie nicht wie die üblichen Pauschaltouristen aussieht. Tom kommt der Familie näher, gibt Anton Tennisstunden und lädt sie ein, mit ihm die Insel zu erkunden. Doch am nächsten Tag ist Dave spurlos verschwunden. Als auch Anne ein mysteriöses Verhalten an den Tag legt, keimt in Tom ein Verdacht auf…

   Альтернативный постер

   От себя

Сабж появляется на 20-й минуте. Cабжтайм (по секундомеру) ~16%.

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The story of a group of kids at their first year at the McGaffin International Middle School, a school with a phantasmagoric WC. It is a broken toilet in which the Wall Of Celebrities is kept. It's a non-functioning bathroom stall in which there is the Wall Of Celebrities, not just a tiled wall, but a gallery of the school's 12 alumni who, over the years, have accomplished legendary feats. Students still compete to be celebrated on the wall. Their legendary challenges are voted by other students through an App, the Wall Of Celebrities App. Only those who reach 1 million points can get on the wall of celebrities.

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The story of a group of kids at their first year at the McGaffin International Middle School, a school with a phantasmagoric WC. It is a broken toilet in which the Wall Of Celebrities is kept. It's a non-functioning bathroom stall in which there is the Wall Of Celebrities, not just a tiled wall, but a gallery of the school's 12 alumni who, over the years, have accomplished legendary feats. Students still compete to be celebrated on the wall. Their legendary challenges are voted by other students through an App, the Wall Of Celebrities App. Only those who reach 1 million points can get on the wall of celebrities.

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Im Heizungskeller eines Sportleistungszentrums wird die Leiche des elfjährigen Malte Rahmani gefunden – verdurstet in einem verschlossenen Kessel. Schnell gerät der vorbestrafte Hausmeister Sven Brunner ins Visier der Ermittler Janneke und Brix, da er eine auffällig enge Beziehung zu dem Jungen pflegte. Doch die Spur führt auch zum ehrgeizigen Sportfunktionär Joachim Voss und dessen Familie, wo ein erschreckendes System aus Leistungsdruck und Gewalt herrscht. Als die Kommissare schließlich dem manipulierten Stiefsohn Felix auf die Spur kommen, geraten sie in ein tödliches Netz aus Lügen, Eifersucht und Sadismus…

(tatort-fans.de)

   От себя

Юрий Винклер в роли злодея, Маргарита Бройх и Вольфрам Кох в ролях детективов расследующих убийство маленького мальчика в "Месте преступления: среди воинов", сталкиваются с Голо Эйлером в роли отца-тирана.
Это 1054 эпизод сериала, каждую серию можно смотреть как отдельный фильм.

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Уважаемые жители портала БЛИЗЗАРДКИД !

Ждём восторженных речей, смайлы, междометия...
Отмечает наш портал совершеннолетие!

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The story of a group of kids at their first year at the McGaffin International Middle School, a school with a phantasmagoric WC. It is a broken toilet in which the Wall Of Celebrities is kept. It's a non-functioning bathroom stall in which there is the Wall Of Celebrities, not just a tiled wall, but a gallery of the school's 12 alumni who, over the years, have accomplished legendary feats. Students still compete to be celebrated on the wall. Their legendary challenges are voted by other students through an App, the Wall Of Celebrities App. Only those who reach 1 million points can get on the wall of celebrities.

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Fourteen-year-old Griffin Nafly is the most ambitious playwright of his generation. But once he meets handsome twenty-five-year-old handyman Brad, his life and play will never be the same.

   Альтернативные постеры

Эверетт Бланк / Everett Blunck



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Jack was the only child at New-Hope Orphanage who did not want to be adopted. When he asked where his mom went, the nuns told him the moon. So Jack threw a fishbowl on his head, made a rocket out of his bed, and got ready to find his mom. Suddenly, despite his best efforts, Jack was adopted by the Robinson Family and forced to make his escape that night, with a little help from his new brother. Jack has to decide between going to the moon and his new brother, Jimmy.

Тревор Долден / Trevor Dolden




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Un niño shipibo es criado por sus abuelos en contacto directo con el bosque amazónico y sus habitantes, a quienes respeta y considera parte de su entorno social. Al crecer y entrar en contacto con la vida urbana, el niño reniega de su cultura para evitar la discriminación, pero, al final, sus raíces vitales lo llevan a vincularse nuevamente con el bosque y a reconciliarse con sus tradiciones ancestrales.

   От себя

Детство героя - первая треть фильма.

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The US Secretary of State is on an official visit to Oslo. Among other things, the Middle East conflict will be discussed at the meeting. The Norwegian police are on high alert, helicopters are circling above the treetops, and there are fears of terrorist attacks against the minister. A terrorist group that has planned to kill the Secretary of State overpowers an innocent family in near Oslo and uses their house as a base for planning the assassination. The resourceful son of the house and his two schoolmates devise a cunning plan to stop the assassination plans. A missile system called Cobra plays an important role in the drama.
Based on the novel by the Danish writer Anders Bodelsen.

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A cycle of tragic, heroic or even funny stories that happened to young people during the Great Patriotic War. Girls and boys whose dreams, plans and ideas about happiness were changed by the war.

Марк-Малик Мурашкин (р. 15.06.2010)




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Exploring the challenges of modern family structures, the film follows a single father, a feminist librarian and a child seeking a place to belong as they navigate love and desires. It questions what it means to be a family.

   Альтернативные постеры

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Die Hogelmanns leben mit drei Generationen gemeinsam unter einem Dach. Vater, Mutter, drei Kinder im Alter von etwa sieben, zwölf und fünfzehn. Mitten in diesem Geschehen taucht ein gurkenförmiges Wesen mit goldener Krone hinter dem Küchenschrank auf. Er selbst gibt sich als König des Volkes der Kumi-Ori zu erkennen, die bislang unentdeckt im Keller der Hogelmanns hausen. Seine verbrecherischen Untertanen haben gegen ihn geputscht und ihn aus seinem Reich vertrieben. Während der Vater entscheidet, dem „Gurkinger“ Asyl zu gewähren und auch der jüngste Sohn Nik sich zunächst mit ihm anfreundet, eskaliert nun der Konflikt zwischen Vater und Mutter. Nach einem gescheiterten Versuch, den Gurkenkönig im elterlichen Schlafzimmer einzuquartieren, ist die Ehe damit faktisch geschieden und der Vater siedelt mitsamt Gurkenkönig in sein Arbeitszimmer um...

   От себя

Экранизация одноименной книги знаменитой австрийской детской писательницы
Кристине Нёстлингер. Читать:
https://royallib.com/book/nyostlinger_kristine/doloy_ogurechnogo_korolya.html
На портале есть советская экранизация 1990 года:
https://u.to/3FFVIg
За наводку на фильм спасибо Berendey!

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A young boy's mental health crisis prompts his desperate mother to seek help from an unexpected source-a man who must abandon his Western mindset and embrace a powerful, ancient ritual to save her son.

(imdb.com)

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Based on a book by Darcy Ribeiro, the film focuses on the trajectory of Uira, an Indian-Kaapor Urubu in his search for the "land without evil." The adventure begins after the death of his firstborn, when he and his family decide to leave in search of Maíra, the Tupi creator-god. In this process, Uira goes through the interior of Maranhão and come to the capital, São Luiz.

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